Two people in a dark, snowy wood, their fate ambiguous. A texture layer of insanely crusty paint highlights the pair and gives the whole scene a brooding look. The dark rays coming off the words come from an image of an escalator, but it’s a better picture if you don’t think about that.
The background here brings together five different landscapes from around the world, including one with a fairly prominent castle. There’s also a grungy layer on
A hooded figure rests against a tree trunk at a wooden bridge, though it’s unclear whether they are merely tired or worse. The woods are
In addition to the large central message and frame, the background has a pattern of cogs over a sepia-tone mess of supreme courts and churches.
Rays emanate across a wild and wooded landscape, a small village nestled in the shadow of impossibly large mountains sits surrounded by fog and pine
I love this blue. “The Dangers of Modern Living” is a phrase that pops up several times in the Et Cetera Discordia, mostly in Cram’s
Thousands upon thousands of daffodil blooms explode and overlap, shining through the last cold days and welcoming the sun in spring. The title text is
